To do my civic duty! Don’t forget to head out there, my lovely Illinoisan counterparts. That goes for you too, Missouri-, Ohio- and Florida-folks! I don’t care who you vote for (except maybe Trump, you guys can just hang out somewhere else…..), but go VOTE!
The primaries are just as (if not more) important than the general election!!!
Foreword: I’ve always had the desire to write my beliefs down in the form of a book. Admittedly, it’s always proven quite the task, because – while I know what it is that I want to say, I’m often stumped by the manner in which I want to say it. In the past, I have tried (vehemently) to write in as objective a manner as I can – to (very) little avail. And the other day, driving (the setting where most of my best ideas are formed) I decided that perhaps I should be taking a note from the countless faiths before me and approach it in a poetic (though not necessarily in the form of poetry) way. As soon as I began, I understood the great need to personify these forces – which I did. So, today, I sat down and typed a test run, just to see how it would play out and I’m happy to say it was far simpler than I expected. Of course, I was just typing, so while I edited spelling errors, the rest remains pretty much the same.
We’ll call this an extremely rough draft:
All were born in fire – a great expansive proclamation forged
in cyclical whim, devout equally to the flames of creation and destruction. It
is a force that remains: ever-spinning the heavenly bodies on their own unique
axes, expelling the cosmos further into the uncharted oblivion. This force – so
vast – remains yet, billions of years after the universal birth and from it,
sprung the potential for life – a means by which this expanse might experience
its own being. We are this meditation, this introspection and adhere –
knowingly or otherwise – to a grand hierarchy of existence and consciousness.
The stars may not know of their own heat – but we do.
If we must give unto this force a name, I will call her:
Nexus, for it is known that all things begin in the likeness of our Mother –
female. It was she who consolidated all matter and energy, gathered in an
infernal vortex, and expanded in a great flash of color, light, and splendor. And
this volcanic existence was her womb as well her form: every element funneled
from the great expanses – back from whence they came, to the Cosmic Pangea –
plucked from the vast darkness by the Voids, wherein even light might not be
spared. And these beings fed – and yet feed – Nexus, the Mother. She resides,
fragmented throughout all that is known and unknown, but at the site of
creation – the Heart of the Universe – the Voids return these pieces, tessellating
every element and experience garnered by separation. This Heart is but a nexus
in itself, a liminal place where all planes of reality collide – as such, it is
not simply the Heart of our own
Cosmos, but every existence, every
planar dimension.
And she is Nexus –
Mother: Spring of Existence; She of Red-Skin, she
of Light, Our Mother and
Destroyer, Lady of Infinite Eyes,
who might see Herself – Anew; Dressed in white hot,
plasmic fire Draped in scarves of
galaxies, And Matron of the
Stars Tended by the Black
Maidens, Sentries of the Boundaries, Who produce before her
fractured feet, The pieces shed in
jubilant fervor – As she cast herself out
– And birthed the worlds
innumerable
At the Heart of All, these pieces – beginning first with the
remnants of the Great Expansion – are distributed, continuously feeding this growing
form matter and energy until its mass might overturn its own creation force – when it
grows so vast, so large, that it begins to reverse its own Expanse, drawing –
instead – its remaining constituents homeward, back toward the Nexus, tugged at by an insatiable, gravitational hunger. It is her Rebirth, her mosaic reformation – as her
great force crushes as every piece and draws into itself every manner of
matter. All must return to the forge from whence it was wrought – with the
knowledge that in time, it, too, will be reborn at the time of the Next Age, the Expansion –
for it (like most things in existence) is cyclical.
And if we must erect
around her a mythology, then let it be this:
Nexus – the Goddess of
Creation and Destruction – when in her incendiary form (in times of Creation
and Destruction) bears crimson skin, bright and glowing like that of molten
metal, nude and without genitals (for she is
Creation). Her hair is in constant motion, swimming in the vacuum of space. She
stands ever-silent with a face so still it could well be but a mask. Dually she
is loving and violent, existing as all things, she is the spectrum of morality
as we see it – though entirely free of its confines. While her form may be
perceived, it is but a guise – she is everything and nothing, she is force and
she is matter, she is the ripple and the soundless echo, the supernova and dust.
She might be equated with Shakti – in many of her manifestations.
Hymn of Nexus
She stands on the
ellipsis plane: A sheet of crystal –
glass – Running with liquid
gold That emanates from
the wells of her feet – She is the ripple –
& she is the echo And from the edges
the metal cascades Into the vacuous
chaos; Unbound by gravity – Hanging in liquid
droplet stars; She is the crumbling
statue Constantly shattered
– and Reforming Of every shard
particle or Planet grain of sand; And as she dips one
finger in the pool beneath her feet – Every atom of her
being is hurled into the oblivion If sound could
travel, it would be symphonic – grand and beautiful But there is but
silence as each piece dazzles – bound by golden tethers – Sent to every edge,
then halted: Each piece bears her
face; In the simultaneous
darkness And blinding light,
the cords tighten And begin to spin –
so quickly, So precisely that
they might only be Perceived as one
golden egg – The age is marked and
the filaments Coil, bringing with
them every minute piece – Home; And the molten
elements And heated gases
collide Casted again in their
familiar Feminine form – She is Nexus –
Mother: Spring of Existence; She of Red-Skin, she
of Light, Our Mother and
Destroyer, Lady of Infinite Eyes,
who might see Herself – Anew; Dressed in white hot,
plasmic fire Draped in scarves of
galaxies, And Matron of the
Stars Tended by the Black
Maidens, Sentries of the
Boundaries, Who produce before
her fractured feet, The pieces shed in
jubilant fervor – As she cast herself
out – And birthed the
worlds innumerable
During intermediary times
– while her form is splayed all across the countless spheres of existence – she
may be perceived as a white-stone statue, shattered and pieced back together
with the same molten substance as before – now solidified into gold. She is
swathed in white fabric, and holds a golden astrolabe with which she surveys
the stars (or, herself, rather). She wears a crown and her hair is as black as
the vacuum that surrounds, eyes the same gold as the veins that comprise her.
It is in such a state that she is more fluid, more “human” – occupying the
Ellipsis Plane. Therein she is tended by the Voids, her Handmaidens, who are
dressed entirely in black – specifically, long gowns that cover their entire
body from the neck down: sleeves turn into gloves, synched at the waist and
cascading to the ground. Over their head they wear black veils – like mourners
– and remain ever vigilant to the whims of the Goddess. It is they who rule the
Darkness and all the Spirits therein.
The Plane is a vast, flat
sheet of crystal/glass, transparent if not for the constant tide of gold that
emanates from the feet of the Goddess, flowing like a fountain across its
entirety and cascading over the edges into the vacuum – where it then forms
into droplets and scatters itself across the black sky. This is her domain, her
observatory – where she collects every experience her “pieces” survive/suffer –
and it is through the eyes of the living that she comes to understand: not simply
her own existence, but the notion – which in her infinite form, unbound by
limitation cannot be concieved – of physicality, law, emotion, mortality, fear,
and transience. For to be infinite – finite concepts cannot be known, and vice
versa. And it is this notion that will resurface again and again – the
separation of finite and infinite.
But Nexus – despite her
given purpose as Creator of All – is not the First Mother. She was birthed by
the Darkness, the black abysmal space in which nothing was but an emptiness. Before the time of matter, mass and energy –
before the time of light – before time: there was Darkness – there was The
Black Mother.
It was she – of
shapeless, formless, nonexistence – that drew the Nexus from the nothingness
and, in this act of martyrdom, destroyed herself so that existence might be. It
was she who dreamed the Nexus into being, and it was She – the personification
of nothingness – who had to be destroyed before anything could ever be. So dreamed – if only for a moment –
and from nothing was born everything. And now – in the Age of the
Nexus – wherein she might create, she drew from her own existence the recesses
and named them in her mother’s honor – these hollow spaces and the embrace of
the abyss: the Black Mother lived again, in the emptiness – in the Voids, as
loyal servant to her own daughter.
She is the embodiment
of disembodiment; this vacuous blackness that resides. She is empty space, she
is the furthest recesses of the cosmos, whereupon light has never touched, she
is the black upon which the stars are hung and cosmos shrink. Her flesh is that
of the Nightmare – endless darkness, palpable and serpentine – but never forget
that it was she who birthed the light, who allowed for matter and energy to
exist in her – and the one who sacrificed herself to create the Creator. She is
the Progenitor of Creation – and the Successor to Ultimate Destruction.
I created this to (better) connect with those who jive on the lower frequencies (and as a way to have bluesier meditation music – I can only listen to so many peaceful horns). As a meditation, it’s repetitive, though more unsettling than it is peaceful – every time I listen with headphones on, there’s a persistent whispering that stops every time I take them off.
Give it a shot, but don’t listen in complete darkness if you’re easily spooked!
There is an ambient, street/market track underneath – so don’t be alarmed by that! And of course, noise-cancelling headphones, if possible.
I am the Crossroad: Mod on Qedava’s
Revival of the Moon
“The circle is cast widdershins to represent the descent into the Underworld.” … “The circle is not a circle but a spiral, a downward-leading staircase. After you depict the circle in this world and call in your familiars to empower it, begin to slow and meditatively walk widdershins in an ever decreasing spiral, turning ever more inward, until you reach the center. The spiral exists within as well as along the outward circle and, in this way, the spiral takes you down to the depths and then brings the depths up into you. The circle is not a barrier, but a cauldron of power that seethes.” … “Once the spiral has been drawn up from the realms of unconsciousness into the realms of consciousness, and becomes apparent to the witch, the operation and interaction may commence. But to draw the dead there in the first place you must be capable of sinking into the darkness and drawing it up through your own being. There are no barriers between witches and the unseen worlds; all fire and all shadow comes through us, the conduits.” – Lee Morgan
After the threshold is established, the witch is the Axis Mundi, the center and the sword that has pierced through the realms, pinning them to one time and place. This symbol is suited to the work as it reflects the as above/so below polarity required for bridging the plans by connecting Neptune (depths, subconscious, and one of the farthest, slowest planets) and the Moon (light, illumination, fastest of the classical “planets”). I have modified the sigil (as shown above) to aid in rituals of traveling into other planes, and for drawing beings up from such planes and into the body. To that end, I have shifted, within the symbol, the dark orb from in the trident to the side, turning it into a symbol of Lilith (without losing the trident). Around the circle below I have added a strophalos (Hekate’s Wheel), to open the gates (she’s a keyholder and guide.) This shifts the initial symbol into one of feminine power, crossroad and dark associated deity, and therefore becomes an aid in invocation of those powers.
To become the crossroad at the center of the working, draw the symbol centered over the breast. In the picture below (from a similar working) I have a stropholos in between symbols of Sulphur and Mercury. This was part of a dark of the moon conjuration. It was successful, if not exactly satisfying. Such is the way with powers: you get what you need, not what you want.
I’m opening up the asks and fanmail (I love saying that, but – in reality – they were never closed): Need a sigil? Toss an idea my way! For the next hour, I’ll be here with my trusty pen and paper, waiting to take your requests!
I’ll post them all up and tag you (unless marked otherwise) – as soon as the hour is up!
Let the sigil-games begin!
Don’t worry, guys! Though I’m not answering, I’m still getting your messages! And I’m drawing just as quick as my little hand will let me!
I’m opening up the asks and fanmail (I love saying that, but – in reality – they were never closed): Need a sigil? Toss an idea my way! For the next hour, I’ll be here with my trusty pen and paper, waiting to take your requests!
I’ll post them all up and tag you (unless marked otherwise) – as soon as the hour is up!
Let the sigil-games begin!
Don’t worry, guys! Though I’m not answering, I’m still getting your messages! And I’m drawing just as quick as my little hand will let me!